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Ruby’s View on the Conspiracy

While we may never know what the real Jack Ruby thought of Oswald and assassination as a whole, DeLillo portrays Jack Ruby as an overly patriotic man who despises Oswald, viewing him as a “complete nothing, a zero person in a T-shirt” (DeLillo 421). Ironically, Ruby is known to history solely as a player part of the Oswald conspiracy, and for DeLillo’s Ruby, this association to Oswald leaves him in a difficult mental state. DeLillo offers the reader some of Ruby’s thoughts while in jail, and we see how the conspiracy has taken over his mind completely, reaching a point where he views himself and Oswald as one of the same. His thoughts also show how he simultaneously regrets killing Oswald, making references to Jews who will suffer because of this, and how he still feels a small bit of pride, by reading the telegrams of those who supported his killing of Oswald. Essentially, Ruby feels overwhelmed by the conspiracy like no one else in the book, by having his entire mental state deteri...
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Kevin's Transformation

Kevin’s actions in the first few chapters of Kindred cause the reader to question his morals and relation to Alice. Kevin himself is also a questionable guy; for example, when we are first properly introduced to him, Dana describes his “pale, almost colorless eyes that made him seem distant and angry whether he was or not,” that he used “to intimidate people” (Butler 13). While Dana defends Kevin, arguing that his eyes are only lifeless to strangers and that for those that he really cares for, he isn’t so soulless and harsh, many readers end up still finding Kevin unsettling because of the actions he has done while married with Dana and when in the nineteenth century, notably his somewhat positive perception of the Weylin plantation. However, after Kevin is stuck in the past for 5 years, he comes out a different man, as while he is more detached from the world (rightfully so, as the modern day is foreign to him after living in the antebellum South), he seems to have transformed by bein...
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Reed’s Lampoons

As discussed in class, chapter 26 of Mumbo Jumbo has Reed go on a tangent of sorts, spending about a page discussing the objects on Abdul’s desk. While its inclusion in the story may seem random and not bearing any significance to the story, I found that it provides the reader with the tools to make a simple connection: while the white colonists are the subject of the African’s lampoons, the Wallflower Order, and really anyone of the white race in Mumbo Jumbo , act as Reed’s lampoons. This connection makes even more sense when you consider the book itself as a work of art, satirizing in the same manner as the Africans. In fact, Reed himself points out how the African race “had quite a sense of humor,” which was lacking in modern African-American works (Reed 96). It makes sense that Reed wants to use his book as a way to bring back the original African style of art, using irony and satire to make profound points, so he does so in Mumbo Jumbo by targeting the Wallflower Order, and to an...
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Tateh’s “Transformation”?

The Tateh we see by the end of Ragtime appears to be a very different man from how he was when Evelyn Nesbit visited him and his daughter in the Lower East Side. As readers, we are supposed to think that Tateh has overcome all his misfortunes, and that he is one of the few cases of a character having a “good ending” in Ragtime . In fact, it seems almost silly to question whether he has truly changed, for his personality seems to have taken a complete 180 and his appearance is completely unrecognizable. Consider page 254, where we are introduced to Tateh, now known as the “Baron Ashkenazy,” who is described as a “small, limber man who wore jodhpurs and a white silk shirt open at the neck” with “shining black hair”. Compared to when we first saw him as a “frail” and “white-haired” man, he has fundamentally altered himself, at least physically (48). However, these actions that he had taken to transform himself are by definition surface level, and essentially act as a coverup for what he t...
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Everything from here on is History as Fiction

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Black Culture for the Sag Harbor Boys

  Throughout Sag Harbor , we see Benji at odds with his friends over his interests and beliefs. Specifically, they see Benji as sympathetic towards, and in some cases favoring. white culture over black culture, which they find to be unacceptable. Interestingly, all the boys live 9 months of their lives every year amongst white people, and yet almost everyone but Benji seems to exaggerate their dislike towards white culture. Their overblown dislike towards white culture is almost like an attempt to prove to themselves that they, like “normal” black kids, are a part of black culture. Two such instances of the boys trying to prove their loyalty towards black culture are when Martine patted Benji’s hair and when the boys were arguing over Afrika Bambaataa.   Martine’s patting of Benji’s hair was not only awkward for Benji, but also raised the question of racism in Jonni Waffle. This was because even though Martine appeared to be black, there was still a debate among the boys ...
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Jason and The Gypsy Mentality

          By the end of Black Swan Green , we see that Jason has transformed into a completely different person compared to how he was at the beginning of the book, when he was about a year younger. His transition into a braver and less self conscious teenager can be attributed to a variety of experiences he underwent, but the one that stood out the most to me was his interactions with the Gypsies. When Jason is among the gypsies, he sees their cool and calm mannerisms and realizes the absurdities of his own everyday challenges with bullying. As a result of this, Jason ends up adopting some of their mannerisms in order to defend himself against his bullies, which ultimately ends in Jason being freed from them and gaining more self confidence.      When Jason first met the gypsies in the forest, he notes how the gypsy kids were “wilder and way harder” than the kids at his school, including Ross Wilcox. He then goes on to elaborate that things ...
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